There is something sensual, guttural, and wonderfully calming about the bass. As a child, I was always fascinated by how the bassist in jazz bands always seemed to be the funkiest, even when playing the upright bass, which forces one to be relatively static on stage – not really something you can fling around. And then bands and musicians like George Clinton’s Parliament Funkadelic, Sly & The Family Stone, Con Funk Shun, Ohio Players and Bootsy Collins, that bass funk went a whole different level. This is what drew me to Meshell Ndegeocello who has been one of my favourite musicians...