Book Extract: On the edge

by | Nov 19, 2021 | Commentary | 0 comments

This is the third in a series of extracts from my book Listen To Your Footsteps, a collection of reflections and essays on fatherhood, identity, loss, creativity, etc.

I READ Thomas Hardy’s Far from the Madding Crowd when I was in high school and the title has always stuck with me, although it is probably as much for the idea of a ‘madding crowd’ as it was for embarrassing myself in English class because of it. We were supposed to have written a composition on it and, because I hadn’t actually read it, I read the first two chapters and the last chapter and wrote an essay that totally missed the mark.

              To feel alone amidst the madding crowd can be a painful lace to be. And, for large portions of my life, that is how I have felt. Alone, sometimes lonely, amongst people, even with people who are supposed to be my people. This goes as far back as I can remember, to the photograph of me, in the middle of people, as a toddler.

              The concept of belonging is strange. The world can see you as belonging, but more important is how you see yourself. I have never felt like I fully belonged, anywhere. In my family, I am the white sheep, the only one with a white mother, the only one with European heritage, my mother’s only child. We weren’t raise that way. We were all Baffoe children, raised as siblings without any ‘step’ in the mix. But I felt different because I was different. And there are elements of their lives, beyond the home, that I wasn’t part of.

              I was fortunate to travel at a young age and attend such a culturally diverse school that my influences have always been broad, overlapping but not always in line with the people I grew up with.

              At varsity, I was the Sesotho-speaking, not-Coloured guy who lived in res, surrounded by and socialising mainly with Black people. I could never run away from me because there was only one half-German, half-Ghanaian Mosotho with a typical Ghanaian name. Plus, culturally, I am a mishmash of all of these, often drawing from what makes sense to me and discarding what doesn’t.

              If someone said they had heard of me, it was probably me they were talking about and not a case of mistaken identity.

              I was considered ‘a pretty boy’ for most of my adolescence and even into my twenties, and that also drew attention when I preferred to lurk on the edges, entering spaces quietly and sussing out the space before I actually engaged.

              Getting involved in the poetry scene forced me to learn how to stand up in front of people, and being involved in the media, especially Destiny Man, meant that I had to get comfortable with hosting and speaking at a range of event. I still get very nervous before I have to get u in front of people and like to arrive early just to get comfortable with the energy in the room.

              Poetry and Destiny Man brought with them a bit of a public profile in South Africa, and yet, despite being considered South African in some spaces, when it boils down to it, I am a ‘foreigner’, which often crops up when it comes to doing any type of work that would be easier if I was BEE-compliant. I have heard the comment ‘by the way, you are not South African’ countless times and it always reminds me of my otherness.

I have worked in so many different industries that I could never define myself according to my job and never quite belonged to any specific community, which has allowed me to traverse multiple spaces. Estelle used to throw me surprise birthday parties, to my chagrin, and the thing that always stood out was that the people invited often came from very different worlds and would, under normal circumstances, not cross paths. This was, of course, before social media.

              Being an immigrant in Lesotho, I have been considered not Mosotho enough. Having grown up outside of Ghana my whole life, in some quarters, I am not Ghanaian enough. There have been instances, particularly when I have accomplished thing deemed of value, when I have been claimed by those spaces. The Germans have never claimed me, however, but there’s still time.

              There was a time when all of this really bothered me, but, as I have grown older, I have learned to embrace my otherness because that is what has enabled me to do some of the things I have done and given me perspectives that help me contribute to those around me in ways that others can’t.

              This idea of being other, of not quite belonging anyway yet belonging everywhere is now a source of pride.

Order Listen To Your Footsteps from:

  • Amazon
  • Exclusive Books (South Africa)
  • Takealot (South Africa)
  • Barnes & Noble
  • 0 Comments

    Submit a Comment

    Your email address will not be published. Required fields are marked *

    This site uses Akismet to reduce spam. Learn how your comment data is processed.

    About Kojo Baffoe

    Of Ghanaian/German heritage, raised in Lesotho and currently based in Johannesburg, South Africa, Kojo is the proverbial slashie, the professional ‘jack of all trades.’ He is an entrepreneur, writer, facilitator, content architect, former men’s magazine editor and speaker. He has a Bachelor of Commerce (1994) with majors in Economics, Marketing and Business Administration from the former the University of Natal (Durban), now University of KwaZulu-Natal.

    Pin It on Pinterest